🏀 Kyrie Gloria Credo Sanctus Benedictus Agnus Dei

In music, kyrie, gloria, credo, sanctus, and agnus dei are parts of the Mass Ordinary, which is a set of texts and melodies used in the Catholic Church's liturgy. They are in Latin, but their English translations are: Kyrie: Lord have mercy. Gloria: Glory to God in the highest. Credo: I believe in one God. Retrieved from "https://www.cpdl.org/wiki/index.php?title=Missa_Vinum_bonum_(Orlando_di_Lasso)&oldid=1737518" The melismatic Kyrie and Agnus Dei, both of which have three sections, serve as a kind of internal frame for the mass as a whole. The long syllabic Gloria and Credo movements articulate the liturgy of the word. The melismatic Sanctus and Agnus frame the mystery of transubstantiation. A copy made by Julius Grimm surfaced in 1978 and was paired with the Kyrie in g minor to make up a ferial Missa brevis for the first edition. External websites: Original text and translations. For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie • Gloria • Credo • Sanctus & Benedictus The Mass for Four Voices (1592-1593) was likely the first of the three great unaccompanied polyphonic mass settings Byrd composed in the 1590s. All three masses are settings of the Ordinary: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. The scoring of the Mass for Four Voices is often thought to consist of the usual soprano, alto, tenor, and In Introit Ky Kyrie Li Litany Gp/Ep Gospel/Epistle InV Introit Verse Gl Gloria Va Varia L Lesson InR Introit Verse ad repetendum Cr Credo VaHW Varia (Holy Week) Pr Preface Gr Gradual Sa Sanctus A Antiphon GrV Gradual Verse Ag Agnus dei H Hymn Al Alleluia (Alleluia verse is included with the Alleluia) Kyrie Gloria in excelsis Deo Gratias agimus tibi (contralto I) Gratias agimus tibi (contralto II) Quoniam tu solus sanctus Credo in unum Deum Et incarnatus Crucifixus Et resurrexit Credo in Spiritum Sanctum Sanctus Benedictus Agnus Dei Kyrie Gloria in excelsis Deo Gratias agimus tibi (tenor I) Gratias agimus tibi (tenor II) Quoniam tu solus sanctus Credo in unum Deum Et incarnatus Crucifixus Et resurrexit Credo in Spiritum Sanctum Sanctus Benedictus Agnus Dei Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Year/Date of Composition Y/D of Comp. 1591-92 First Pub lication. 1593-94 Language Latin Composer Time Period Comp. Period: Renaissance: Piece Style Renaissance: Instrumentation 3 voices (ATB, but see below, Comments) External Links CPDL page 6Yx3ORK. Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf Midi MusicXML Encore Noteworthy Web Page File details Help Full score (Posted 2019-06-25) CPDL #54620: Contributor: Paolo Pandolfo (submitted 2019-06-25). Score information: A4, 48 pages, MB Copyright: CPDL Edition notes: Scanned score Piano-vocal scores (Posted 2019-06-21) CPDL #54592: Contributor: Paolo Pandolfo (submitted 2019-06-21). Score information: A4, 52 pages, MB Copyright: CPDL Edition notes: Scan from IMSLP of piano-vocal score by Otto Taubmann (Posted 1999-09-21) CPDL #00293: Kyrie: Score information: A4, 5 pages, 149 kB Gloria: Score information: A4, 16 pages, 316 kB Credo: Score information: A4, 22 pages, 563 kB Sanctus: Score information: A4, 4 pages, 84 kB Benedictus: Score information: A4, 7 pages, 189 kB Agnus: Score information: A4, 9 pages, 226 kB Editor: Christopher Moore (submitted 1999-09-21). Copyright: Personal (Posted 1999-09-15) CPDL #00287: Kyrie: Score information: A4, 4 pages, 257 kB Gloria: Score information: A4, 13 pages, 741 kB Credo: Score information: A4, 13 pages, 757 kB Sanctus: Score information: A4, 3 pages, 129 kB Benedictus: Score information: A4, 5 pages, 324 kB Agnus: Score information: A4, 8 pages, 503 kB Editors: Paco Marmol and Manolo Casaus (submitted 1999-09-15). Copyright: Personal Gloria only Editor: Jeroen Potjes (submitted 2007-09-01). Score information: Letter, 13 pages, 879 kB Copyright: Personal Edition notes: full orchestra General Information Title: Coronation Mass, KV 317 (Krönungsmesse) Composer: Wolfgang Amadeus Mozart Number of voices: 4vv Voicing: SATB Genre: Sacred, Mass Language: Latin Instruments: Orchestra: 0202-2230-timp-str. 11011 First published: Description: External websites: Free choir training aids for this work are available at Choralia. Coronation Mass, KV 317 (Wolfgang Amadeus Mozart) at the Petrucci Music Library (IMSLP) Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf MusicXML LilyPond Zip file Web Page File details Help All movements (Posted 2017-09-23) CPDL #46447: Contributor: Paolo Pandolfo (submitted 2017-09-23). Score information: A4, 233 pages, MB Copyright: CPDL Edition notes: Scanned score. Separate movements Kyrie Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 4 pages, 140 kB Copyright: CPDL Edition notes: Kyrie, Vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 31 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 1 - Pages 1 to 31: Kyrie & Gloria (as far as Domine Deus, Rex caelestis) Gloria Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 12 pages, 241 kB Copyright: CPDL Edition notes: Gloria, choir only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 38 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 2 - Pages 32 to 69: Gloria (from Qui tollis) Credo Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 8 pages, 193 kB Copyright: CPDL Edition notes: Credo, part 1, vocals only. Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 6 pages, 180 kB Copyright: CPDL Edition notes: Credo part 2, Et vitam, vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 42 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 3 - Pages 70 to 111: Credo. Prélude religieux - Ritournelle - Sanctus & Benedictus - O salutaris hostia - Agnus Dei Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 4 pages, 181 kB Copyright: CPDL Edition notes: Sanctus, Agnus dei, vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 24 pages, 1000 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 4 - Pages 112 to 135 General Information Title: Petite Messe Solennelle Composer: Gioachino Rossini Number of voices: 4vv Voicing: SATB, + soli Genre: Sacred, Mass Language: Latin Instruments: Harmonium and two pianos or orchestra First published: 1863 2nd published: 1968 by Ricordi (London) Description: This work was Rossini's last major composition and dates from 1863. With typical ironic wit, the Mass is neither 'Petite' (taking around 75 minutes in performance) nor 'Solennelle'. It was first performed on 14 March 1864 on the occasion of the dedication of the private chapel of the Comte and Comtesse Pillet-Will in their home in the Rue Moncey. The work is dedicated to the Comtesse. The autograph score of the original version of this work is annotated by Rossini "Twelve singers of three sexes, men women and castrati, will be sufficient for its performance: that is to say eight for the chorus and four for the solos" This note is somewhat surprising, as 'castrati' had virtually died out by that period. It is of note that, in the first performance of this work, supervised by Rossini, the alto solo part was sung by a female contralto, not a male alto. Rossini also marked that the soloists should sing with the chorus. This would require a prodigious effort on the part of the soloists and modern concert choirs would not need this reinforcement. The current edition therefore does not suggest that the soloists double the chorus parts. First performed 1864. Rossini adopted the unique sound of harmonium and two pianos to accompany this work, and this should be replicated in performance where possible. The single piano accompaniment given here is for rehearsal purposes only. Rossini was later prevailed upon to orchestrate this work and he sought to ensure as little distortion of the work’s timbres and textures as possible. But the original harmonium/piano version may be thought to be the best. External websites: Free choir training aids for this work are available at Choralia. Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei Original text and translations may be found at O salutaris hostia. Soprano Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Alto Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Tenor Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Bass Kyrie Gloria Credo Sanctus Benedictus Agnus Dei

kyrie gloria credo sanctus benedictus agnus dei